Seemingly another typical male gaze centric, somewhat problematic (in today's standard) pink film took a sudden left turn所以毕竟是2002年拍的超级好看的软妹纸可以看成是对pink film有commentary的反转虽然这里empowerment的工具仍然是女性身体本身后半段放飞后的确比前面的pink有意思包括lovecraftian imagery还有overtly invoking "film as voyeurism" by showing some surreal lynchian club scene导演自己出演手持相机的stalker也许可算是又一层面上的meta commentary本质上是他的干预完全改变了这对夫妇的生活——电影的力量(看到一种解读说stalker的角色也许并不存在)
Tyron Edwards wrote, sinful and forbidden pleasures are like prisoned bread. They may satisfy appetite for the moment, but there is no death in them at the end. 充满罪恶和禁忌的欢愉就像有毒的面包也许能偷得片刻满足但注定死亡在劫难逃